News & Reviews

Opera Atelier’s Actéon and Pygmalion

"Allyson McHardy’s brief performance of Pygmalion’s jilted love interest Céphise was at once sympathetically alluring as it was entirely dominant of the action.  After hearing McHardy, I wanted an opera entirely about her character.  Not enough is written about the...

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“Your Welcome, Rossini”

“McHardy is a mezzo with a rich voice, darker in colour , beautifully expressive.” (Toronto Concert Reviews, March 18, 2018)

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The Ligeti Requiem with Ludovic Morlot and the Seattle Symphony

“Stepping forward for the Sequentia were soprano Audrey Luna and mezzo Allyson McHardy to heroically accomplish the vocal cliff-diving of Ligeti’s absurdly spaced intervals…McHardy brought a fullness and warmth that hinted at a vanished world of comfort.” (Backtrack, June 25 2017)

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Review of Mahler 2 with the Niagara Symphony

“Allyson McHardy’s mezzo-soprano was warm and inviting. She began the fourth movement with the gentle caress of her voice. Her interpretation of the fifth-movement text “Dein ist, ja dein” was strong and certain.” (The Whole Note, May 24 2017)

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Dora Nominations for Louis Riel

The Canadian Opera Company’s production of Louis Riel has been nominated in multiple categories for the 2017 Dora awards, including Peter Hinton for Outstanding Direction, Russell Braun for Outstanding Male Performance and Outstanding Ensemble Performance.

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Beethoven’s Missa Solemnis

Beethoven’s Missa Solemnis with the LA Master Chorale and Grant Gershon.
“Allyson McHardy’s plangent mezzo-soprano was heartwarming in Agnus Dei.”
(Classical Voice, January 23 2017)

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“Allyson McHardy held court with a gilded mezzo-soprano tone that has set her apart from her contemporaries.”
- Toronto Star