Le vaisseau fantôme au Festival d’opéra de Québec

“…la mezzo Allyson McHardy, en nourrice, chante et joue bellement un rôle trop court.” (Le Soleil, Josianne Desloges, 30 juillet, 2019)

“In the short role of Mary, Allyson McHardy had a strong and attractive stage presence, rather than the common matronly appearance, making Mary an example for the other women and counterbalancing Senta’s influence. Her lyrical mezzo was pleasant, well-controlled and forceful.” (Operawire, Sebastien Turgeon, August 1, 2019)