Review for Hippolyte et Aricie

“As with so many figures from ancient mythology Phaedre is like a chapter from a psychology textbook, a study in pathology as she gives voice to her desire for her step-son and then -when he vanishes-is wracked with guilt. In other words her extreme passions-rage, desire, remorse-are ideal for an operatic treatment. While there may be lots to listen to in this opera, Phaedre is squarely at the centre of the work. OiC didn’t disappoint in casting Allyson McHardy. I’ve missed that gorgeous voice, her unrelenting approach to performance. In addition to the villainous side of the performance, McHardy added a surprising vulnerability, an element that felt modern, and made the character three-dimensional. Her passions were larger than life in this portrayal. ” (barczablog, 3 February 2014)

Read the full review on the barczablog website